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  • Beading
    • Knitted Bead Cuff Bracelet with Mimi Kezer
    • Wire Knitting with Beads with Mimi Kezer
    • Knitting with Beads Sampler with Mimi Kezer
  • Crocheting
    • Enhance and Embellish with Crocheted Edgings with Janet Brani
    • Crocheted Sweet Potato Twist Cowl with Janet Brani
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    • Foundation of Acid Dyes with Stephanie Stratton
    • Dye a Yarn Skein & Silk Scarf with Neal Howard
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    • Felt A Flock with Stephanie Stratton
    • Nuno Felting a Vest with Diana Mineva
    • Felting a Hat with Flowers with Diana Mineva
    • Bags, Bags, Felted Bags! with Diana Mineva
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    • The Chinese Waitress Cast-On & Other Curiosities with Mimi Kezer
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    • Intro to Entrelac with Kristina Tucker
    • Colors: From Thievery to Theory with Varian Brandon
    • One Round, Two Colors: Stranded and Fair Isle Knitting with Varian Brandon
    • Fabulous Fingerless Mittens with Stephanie Stratton
    • Knitted Bead Cuff Bracelet with Mimi Kezer
    • Wire Knitting with Beads with Mimi Kezer
    • Knitting with Beads Sampler with Mimi Kezer
    • Now How Do I Finish? with Jolie Elder
    • Waste Not: Scrap Busting with Jolie Elder
    • Waste Not: Shawls with Jolie Elder
    • Waste Not: Socks with Jolie Elder
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    • Beginning Spinning on a Drop Spindle with Veronica Carey
    • Core Spinning with Stephanie Stratton
    • Artful Plying with Anna Clark
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    • Beginning Tatting with Margaret Higgins Pendley
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    • Needle Tatting Basics with Margaret Higgins Pendley
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    • Block Weave Shawl with with Charlene St. John
    • Little & Big Projects All on a Small Loom with Susan Morgan Leveille
    • Mug Rugs and Inkle Bands with Susan Morgan Leveille
    • Saori Weaving with Denise Prince
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Spinning

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Woman spinning. Detail from an Ancient Greek Attic white-ground oinochoe, ca. 490 BC, from Locri, Italy. British Museum, London. (Wikipedia)
The origins of spinning fiber to make string or yarn are lost in time, but archaeological evidence in the form of representation of string skirts has been dated to the Upper Paleolithic era, some 20,000 years ago.   In the most primitive type of spinning, tufts of animal hair or plant fiber are rolled down the thigh with the hand, and additional tufts are added as needed until the desired length of spun fiber is achieved. Later, the fiber is fastened to a stone which is twirled round until the yarn is sufficiently twisted, whereupon it is wound upon the stone and the process repeated over and over.

The next method of twisting yarn is with the spindle, a straight stick eight to twelve inches long on which the thread is wound after twisting. At first the stick had a cleft or split in the top in which the thread was fixed. Later, a hook of bone was added to the upper end. The bunch of wool or plant fibers is held in the left hand. With the right hand the fibers are drawn out several inches and the end fastened securely in the slit or hook on the top of the spindle. A whirling motion is given to the spindle on the thigh or any convenient part of the body. The spindle is then dropped, twisting the yarn, which is wound on to the upper part of the spindle. Another bunch of fibers is drawn out, the spindle is given another twirl, the yarn is wound on the spindle, and so on.

The distaff was used for holding the bunch of wool, flax, or other fibers. It was a short stick, on one end of which was loosely wound the raw material. The other end of the distaff was held in the hand, under the arm or thrust in the girdle of the spinner. When held thus, one hand was left free for drawing out the fibers.

A spindle containing a quantity of yarn rotates more easily, steadily, and continues longer than an empty one; hence, the next improvement was the addition of a weight called a spindle whorl at the bottom of the spindle. These whorls are discs of wood, stone, clay, or metal with a hole in the center for the spindle, which keep the spindle steady and promote its rotation. Spindle whorls appeared in the Neolithic era.

In mediæval times, poor families had such a need for homespun yarn to make their own cloth and clothes, that practically all girls and unmarried women would keep busy spinning, and spinster became synonymous with an unmarried woman. Subsequent improvements with spinning wheels and then mechanical methods made hand-spinning increasingly uneconomic, but as late as the twentieth century hand-spinning remained widespread in poor countries: in conscious rejection of international industrialization, Gandhi was a notable practitioner.

A great wheel (also called a wool wheel, high wheel or walking wheel) is advantageous when using the long-draw technique to spin wool or cotton because the high ratio between the large wheel and the whorl (sheave) enables the spinner to turn the bobbin faster, thus significantly speeding up production.

A Saxony wheel (also called a flax wheel) or an upright wheel (also called a castle wheel), can be used to spin wool or cotton, but are invaluable when spinning flax (linen). The ends of flax fibers tend to stick out from the thread unless wetted while being spun. The spinner typically keeps a bowl of water handy when spinning flax, and on these types of wheels, both hands are free (since the wheel is turned with a treadle, rather than by hand), so the spinner can use one hand to draft the fibers and the other to wet them.  (Wikipedia)



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